Spike Lee’s New Fiction on HBO, Hurricane Katrina
Spike Lee has a new film coming out, this time a documentary called, “When the Levees Broke: A Requiem in Four Acts.” Since exploding on the scene 20 years ago, Lee has directed forty different movies all sporting an African-American focus. But now Mr. Lee has turned his attention and his conspiracy ideas onto the catastrophe when Hurricane Katrina swamped New Orleans.
Using current and historical footage, music and more than 100 interviews, the film reminds viewers that although Katrina shattered the entire Gulf Coast, New Orleans and its mostly black residents got hit especially hard. Thousands fought to survive deadly floodwaters for days while federal help was slow in coming. Many are left today with a nearly ruined city and broken hearts.
Lee conducted each of the interviews, and viewers occasionally hear him asking questions, but he never steps in front of the camera. There is no narrator telling viewers that New Orleans was abandoned, or that this may have happened because most residents are black. There is no need. (emphasis added by TRS)
You have got to be kidding me?! The hurricane did not just pick on one race of people. There were a whole host of people hurt by this storm including Whites, Hispanics and Blacks. Nobody seems to remember that one of the first areas flooded was the mostly white area of St. Bernard. For anyone to even suggest that the federal response was slow because mostly blacks were affected is indeed delusional.
The reasons for the devastation are many. Nobody was ready for a storm of this magnitude. Coupled with that was incompetence at all levels of government, with most of the accusations of incompetence has been rightly directed at the city and state levels. Right Wing Nut House has a comprehensive timeline of the hurricane and its aftermath.
There is nothing wrong with Spike Lee making a documentary on the disaster and devastation in New Orleans, but if he is going to make a documentary, he needs to start with some semblance of the truth. It is near to the point where you can not trust a documentary anymore. Michael Moore had his fake story and now Spike has his.
Lee claims he lets the people he interviews tell the story of New Orleans, but only a complete idiot would believe the film maker did not lead the hatred in the movie. Some talk about how the levees were bombed to kill blacks and others say the feds did nothing to kill many more. The end result is the same, Spike Lee has directed a fictional movie under the guise of a documentary.
For now, he’s spending little time pondering his 20-year milestone. “What I’m trying to do is just get better,” he said. “Become a better storyteller. That’s what I do.”
Maybe Spike Lee should keep to the storytelling and leave the documentaries to those who can tell the story without bias, who can tell the truth without stretching the truth, who can tell of the remarkable heroism of the people of New Orleans without demeaning their sacrifice. All in all, it’s the same old Spike, full of hate for white people.
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